
the bleed
A held breath.
One picture runs to every edge of the screen, with words in its calmest corner.
see it drawnThirty-eight ways to set pictures and words on a page
Every move stanza knows: thirty-eight ways to set pictures and words together on a page. Each is drawn here from Todd Stabley’s pictures and Walt Whitman’s poems. Click a picture to see the move full size.
I
A single picture, given the whole stage.
8 moves

A held breath.
One picture runs to every edge of the screen, with words in its calmest corner.
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Remembering.
A small window onto the picture opens to the whole screen as you scroll.
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A jolt.
The same picture huge, then tiny.
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Looking closer.
A picture again, cropped close. Drag the close-up to choose what it shows.
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Solitude.
One small picture alone in a wide field of the page.
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A memory.
The picture’s edges fade into the page, as in an old engraved book.
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A doorway.
The picture seen through an arched window, with words beside it.
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Looking out.
A long band across the screen; the picture slides sideways as you scroll.
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Two pictures that answer each other.
4 moves

A conversation.
Two pictures side by side, the same size; the gap between them says something.
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Casual.
Two pictures at different sizes, their tops not aligned, words in the room between.
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Depth.
One picture laid across another.
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A memory within a place.
A small picture set into the corner of a large one.
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A handful or more, read together.
11 moves

Handled.
Prints dealt on a table, each turned a little.
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Lived-in.
Many sizes at many heights, no one masterpiece.
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Time passing.
Ten frames on film’s own black, in the order they were taken.
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A detour.
A sideways strip inside the downward scroll.
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Time under your thumb.
Three pictures change in place as you scroll.
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A sequence.
Three tall panels side by side, read as one.
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Descending.
Pictures stepping down the page, each a little lower than the last.
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Far apart, together.
Small pictures far apart on an open field, like stars.
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A study.
Ten pictures numbered on a printed plate, as the first books of photographs set out a sequence.
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An heirloom.
Ten pictures in oval windows on an album leaf, as the first family albums held them.
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A palette.
Twelve pictures in one band, set in the order of their colors.
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Words beside the pictures, carrying half the meaning.
10 moves

A poem.
A few lines on a screen of their own.
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A book opening.
A poem opening on a large red letter, its first line in small capitals.
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A voice in the margin.
Words beside a large picture, carrying half its meaning.
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An embrace.
Words wrapping the round outline of a picture.
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A poster.
Words set into the picture itself.
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Lingering.
One picture holds still while lines of words pass it.
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An interruption.
A picture breaks into the poem at its first blank line.
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A book lying open.
Words on the left page, the picture on the right, a gutter between.
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Notes in the margins.
A poem down the middle, small pictures in the margins beside it.
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A voice from elsewhere.
A few lines set small and high, with where they come from.
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Where a chapter breathes, changes, or ends.
7 moves

Silence.
A screen of nothing, holding one printer’s flower.
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A smaller turn.
A breath, marked by three stars (⁂).
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A new season.
The page takes its color from the next picture, and keeps it.
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Travelling through.
Pictures float up at different speeds.
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A breath of color.
A screen of plain color drawn from the picture that follows, like the paper inside a book’s cover.
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Surprise.
The way into the next chapter: its opening picture, small, and its name.
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An account closed.
Under a double rule, who made it, ending on a printer’s leaf.
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