stanza

Thirty-eight ways to set pictures and words on a page

The moves

Every move stanza knows: thirty-eight ways to set pictures and words together on a page. Each is drawn here from Todd Stabley’s pictures and Walt Whitman’s poems. Click a picture to see the move full size.

I

One picture

A single picture, given the whole stage.

8 moves

No. 1

the bleed

A held breath.

One picture runs to every edge of the screen, with words in its calmest corner.

see it drawn
No. 2

the reveal

Remembering.

A small window onto the picture opens to the whole screen as you scroll.

see it drawn
No. 4

the detail

Looking closer.

A picture again, cropped close. Drag the close-up to choose what it shows.

see it drawn
No. 6

the vignette

A memory.

The picture’s edges fade into the page, as in an old engraved book.

see it drawn
No. 7

the arch

A doorway.

The picture seen through an arched window, with words beside it.

see it drawn
No. 8

the panorama

Looking out.

A long band across the screen; the picture slides sideways as you scroll.

see it drawn

II

Two pictures

Two pictures that answer each other.

4 moves

No. 9

the pair

A conversation.

Two pictures side by side, the same size; the gap between them says something.

see it drawn
No. 10

the offset pair

Casual.

Two pictures at different sizes, their tops not aligned, words in the room between.

see it drawn

III

Many pictures

A handful or more, read together.

11 moves

No. 15

the contact sheet

Time passing.

Ten frames on film’s own black, in the order they were taken.

see it drawn
No. 19

the stair

Descending.

Pictures stepping down the page, each a little lower than the last.

see it drawn
No. 20

the constellation

Far apart, together.

Small pictures far apart on an open field, like stars.

see it drawn
No. 21

the plate

A study.

Ten pictures numbered on a printed plate, as the first books of photographs set out a sequence.

see it drawn
No. 22

the ovals

An heirloom.

Ten pictures in oval windows on an album leaf, as the first family albums held them.

see it drawn

IV

Words with pictures

Words beside the pictures, carrying half the meaning.

10 moves

No. 25

the drop initial

A book opening.

A poem opening on a large red letter, its first line in small capitals.

see it drawn
No. 26

the marginal note

A voice in the margin.

Words beside a large picture, carrying half its meaning.

see it drawn
No. 31

the spread

A book lying open.

Words on the left page, the picture on the right, a gutter between.

see it drawn
No. 32

the gloss

Notes in the margins.

A poem down the middle, small pictures in the margins beside it.

see it drawn
No. 33

the epigraph

A voice from elsewhere.

A few lines set small and high, with where they come from.

see it drawn

V

Turns and pauses

Where a chapter breathes, changes, or ends.

7 moves

No. 36

the color turn

A new season.

The page takes its color from the next picture, and keeps it.

see it drawn
No. 38

the endpaper

A breath of color.

A screen of plain color drawn from the picture that follows, like the paper inside a book’s cover.

see it drawn
No. 39

the turn

Surprise.

The way into the next chapter: its opening picture, small, and its name.

see it drawn
No. 40

the colophon

An account closed.

Under a double rule, who made it, ending on a printer’s leaf.

see it drawn